Kodak seems to have mislaid one of my rolls of Kodachrome which I shot walking the North Downs Way in June. Ahhh good times, sun, the open track, hard graft, great views and a sense of achievement. Wonderful, much more meaningful than a lot of the crap in day to day life I guess.

Anyway, if anything it’s a blessing in disguise because I’ve been feeling a bit sad that my adventure for this year is over. I had a tremendous amount of fun as ever, I guess I just love being out there and free.

So, in lieu of me feeling a bit melancholy and missing that adventure, having lost a roll of film and indeed the weather on the day concerned being what we call in the trade, “thoroughly pap” (i.e. crap) I thought I’d walk it again one weekend in August.

That’s basically Ranmore Common to Westerham via Box Hill, Reigate Hill and Tandridge Hill. I have 5 rolls of Kodachrome still in the fridge so I can take two rolls, shoot it, do a good job on some good weather and hopefully not have Kodak mislay these rolls (in fairness, this is the first of however many rolls of KR64 I sent them that got lost, I’ve probably shot around 80-100 rolls of Kodachrome in my time…)

It’s a bit crazy as I know the day I walked from Ranmore Common to Godstone was a long old day but damn was it good fun. Hard going fun.

The kind of thing that makes life thoroughly amazing and worth living. The best things in life have to be worked at, and are often hard going. But there was never any sense of accomplishment of watching Jeremy Kyle. Though, on second thoughts, anyone who can make it through a whole episode of that without wanting to throw the telly out the window has my admiration.

So, back off to the North Downs then

All in between me enjoying the South Downs and finishing my B&W Photography Magazine, B&W Photographer of the Year entry… Eeeep!

I haven’t written anything since I got back about my sojourn across the North Downs, a 132 mile hike from Farnham in Surrey to Dover in Kent via Rochester and Canterbury. The biggest reason as it stands has been my:

• Very busy couple of weeks since I got back
• The depressing fact that a year on I have still to pull my finger out and finish writing about the South Downs Way which I did almost a year ago now.

But there have been other reasons. When I started the South Downs Way I knew and still will produce a photo book on the South Downs Way but the flaw was trying to shoot it all in ‘one-sitting’ and whilst this is true to the journey, it has produced some of my favourite photos but also some that I am less than enamoured with. The upshot is that I’m going to need to re-visit the trail and photograph it again. Not exactly a bad thing in my book! So this project whilst very much swept aside for me to get on with impression:mk is alive and I am sticking with it. I just have to get these things right and there is no need to rush (unless of course I die tomorrow in which case i need to get a shift on!)

The other reason is a biggie, but that hasn’t stopped me getting on with it in the same way that say my birthday, barbeques, the pub (a few times admittedly!) and doing some extra work outside of the day job has done. But it has made me stop writing about it in yet another diary like fashion. Why?

I have long shrugged off or indeed acknowledged/struggled to find that any work of mine (photographically or written) has a philosophy, there is one but it’s not exactly obvious and probably still isn’t to me. But I do know what I am interested in and I’m now old enough to not give a damn about whether people think it’s odd, weird, deranged or obsessive. Which is a good start because there is nothing wrong than wanting to say photograph in black and white maybe the underside and underbelly of industrial Birmingham with its urban motorways and canals and decayed industry and social housing but not being able to do so because you’re worried a friend or all your friends are going to look dimly on it. Now, the latter is also something I will do (when I get time) but I’ve completely got over the whole keeping up appearances for friends, I am what I am and if you don’t like it do yourself and me a favour and kindly show yourself the door darling.

But behind this in the things I have attempted to write, and the things I do photograph of my own volition have been informed by something, or a series of somethings that are never entirely in isolation but do quite often float in the ether encapsulated all by themselves. Quite often these things are entirely subjective, subvocal, hidden and emotional and its hard to explain them except through a photo, or a sentence/paragraph that forms part of that overall patchwork of experience which describes where I am at this time, and what has gone before to bring me here in this frame of mind.

Without drifting needlessly into the obtuse, walking has always given me the freedom to think clearly. Whether that’s drifting around London or Brighton, or out in the wilds of the Downs or indeed the North Downs it hasn’t really mattered. The car, and to a lesser extent the train give you a sense of movement and an interesting perspective on how the landscape and your viewpoint shifts with that movement, but it’s nothing like the view you get when walking, which awakens and feeds that curious appetite. The bus for me does none of these, there’s no romance or emotion in that transport. It’s as utilitarian as a girdle (unless you have a girdle fetish, not that I am suggesting bus buffs are… Someone help me out of this hole!)

Walking this time seemed to sew up some kind of philosophy, it’s very quirky but it makes some sense. And so rather than write just a series of daily diaries of each day on the North Downs Way I’ve decided to work it into a wider remit on photography, subjectivity and philosophy of an art form and indeed maybe even a little of life. It’s hard to explain succinctly otherwise there would be no point in writing a book but it’s non-fiction and most definitely not a Kerouac-inspired journey dialogue. It is really a photography book, it might not be “Mastering Photoshop CS4’ or ‘The Dummies guide to Digital SLRs’ (I have no idea if those books exist but I bet they do, and I bet they are really really boring, bit like what I write then *chuckles*) but it’ll be interesting none the less.

The photo that summed this up for me is one I am still waiting back for, but maybe that’s it, a photo can make sense even with it not present if the thought behind it is sound. I was sat at Gatwick Airport station, on the final leg back home to Worthing, Day 14 of walking and I had done it, I had walked every inch from Farnham to Dover. And I was sat on the floor of the platform in the sun, it was nice to stretch out the legs but you get interesting perspectives on different levels. Ahead a lady, perhaps a flight attendant still dressed up glamorous strolled down the platform towards the incoming train and ahead a train was moving north to the far-side platform, the sun was bright. And it was hot (never start a sentence with a conjunction – except when it works for effect.) Long shadows carrying the cerebral and emotional baggage we all hide following in tow and the sky was pitch perfect blue. The departure board scrolling across for the Brighton 1842 or something like that fringed by its bright yellow metal armature which burst out uncontrollably against the navy skirt-suit of the what I have now decided is most certain an air-hostess. And in that pitch perfect blue sky a plane is coming into land taking people back from their escape, and the train is here to carry some away too on a hot Sunday noon. Why and what is all this for, each little step and snatched glance, with every uttered word what are we doing it for. Are we always In Search of Sunrise?

And photo sums it up for me what this book is about and that’s the book concept/title too, In Search of Sunrise. It’s a quirky idea but it makes sense. It’ll be a good antidote to ‘1001 Digital Photography and Adobe Lightroom Skills: The Ultimate Guide to everything.’

First things first: My Canon EOS 5 and then 3 never fell apart on any hike. But then I hadn’t walked 160 miles with either in one go, but they proved to be tough cameras. So the Leica’s first outing on a hike through Surrey and Kent in South East England for 2 weeks around my neck covering at least 130 miles up and down on the trail and 30 miles to and from pubs, accommodation and around towns would give it a gruelling challenge.

The result was the M2 holding up perfectly apart from one screw going walkabout somewhere in Rochester probably.

It had always been loose, the one on the right on the top plate, it was loose probably due to the camera shop not tightening it properly – I should get it sorted, and will, but not having my M2 for even so much as an hour is a daunting thought! Otherwise the camera kept soldiering on, come wind, rain and an awful lot of shine. The beauty of a manual camera is there is no electronics for water to foul although you wouldn’t necessarily want to drench the M2 in a downpour as I’m sure it wouldn’t do much good in the long run.

The lenses were a slightly different ball game. First the Voigtlander Ultron, held up magnificently until day 11 of 14 when I noticed the back screw thread plate was working itself free. I can forgive it as it had a lot of stress and that would work screws free to an extent, this had the effect of getting the focussing helical (?) off kilter so that at infinity it was focussing beyond infinity if that makes sense. Also the focussing was slipping with the rangefinder coupling becoming uncoupled as the lens shifted a few tenths of an inch from its usual position. I assumed this meant adjustment under warranty but was advised by Robert White it would be a 4 week turnaround time, so I have tried adjusting it myself and will run a test roll and see whether it is indeed now OK.

My ‘new’ 50mm Canon Serenar (a gem of 1950s optical design, 50mm f/1.8 and pretty flare resistant and excellent colour rendition) managed to end up in two bits The front part which contains all the optics unscrewed from the rear part which is the barrel and rear screw mount. Screwing it back together tightly solved the problem. (It hadn’t been done when I received it and I had no idea how to adjust it as it has no externally visible screws, so it took it to fall apart for me to realise how its held together!)

Overall, I shot 13 rolls of Kodachrome, 1 roll of EBX and the camera did a grand job. Leica sent a replacement screw to me for free (which was unexpected!) so the M2 is visually all 100% again. That said, I found the elastoplast I had taped over the hole made a comfortable thumb rest, might keep it on!

That said, the Leica just kept on going. Just what I expect from a camera. They have tough lives with me, but they’re like working dogs – they appreciate it that way.